“Oneiros”
is Outputmessage’s first release for Echelon Productions,
The album kicks off with the somnambulant wash of “R.E.M.
State,” a straightforward uptempo track propelled by a four-on-the-floor
beat and a cartwheeling synth line that morphs from subtle ?reworks
into a ?amethrower before the beat disintegrates into a dreamy sonic
haze. “Depression Cycle” begins as one of the album’s
more challenging tracks, a collage of twitching creature noises
and stabbing horror movie strings moving through odd time signatures
- but once the minimal house beat kicks in, all falls into place
and the monsters are dancing. Just as the atmosphere gets too tense,
Barney embraces his inner b-boy with “Stillness,” a
lazy, hazy downtempo Cadillac cruise complete with digital backspins
and DSP beat-juggles. “Switch” anchors classic Jarre-ing
ambience with a dusty bassline and midtempo break, while the sepia-toned
strings of album-closer “Trespassing Sunshine” recall
the eerie minimalism of Steve Reich as filtered through “Soft
Bulletin” psychedelia.
Written and
produced by Bernard Farley
mp3's
1. REM State
2. Tossing & Turning
3. Depression
Cycle
4. Stillness
5. Keeping Time
6. Home
7. Switch
8. Oneiros
9. Trespassing Sunshine
PRESS
Bernard
Farley’s first output for Echelon is a marvellous listen,
crossing many experimental borders. From the frenetic synth rock
of “REM State” through much melodic IDM to the crisp,
echoing atmospherics of “Oneiros” itself, this is high-quality,
engrossing stuff throughout.—URB Magazine (Cut of the
Month)
Not content with showing off his deft drum programming, he displays
the competence of a dynamic composer, stripping "Home"
and "Trespassing Sunshine" down to a string section. Oneiros's
material has a different feel than most artists in the genre. Farley's
music trades warmth for the icy emotion you normally get with this
crowd; his sounds resemble actual living, breathing instruments,
void of the "preset" aesthetic -- robots doing his bidding
rather than vice-versa.—Splendid
A debut
like this signals deadly potential for the future.—Junkmedia
“Outputmessage
doesn't give you melody as much as ephemeral scents to breathe in
and appreciate, which is refreshing. Oneiros is a fine IDM release
in the chill-out vein that heralds the arrival of another bedroom
composer to watch." —Outburn Magazine
"Outputmessage’s...versatile
use of many types of electronica sets them apart from others. IDM-laced
tracks lead to Brian Eno-esque atmospheres and house-inspired tracks."
—Impact Press
Subtle
and evocative, Outputmessage hits hard—but does so with a
whisper. —Canned
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